Usually I just make note of the titles, but since I am doing this whole blog thing, I may as well make small notes about each book, as I see fit. That way, I have a more comprehensive and thorough list at the end of the year. Also, such notes just might spark some discussion among visitors to this blog.
Here is my list for 2011:
The Center of Everything by Laura Moriarty

The beginning of this book sucked me in, especially in the exploration of the mother-daughter relationship. As Evelyn gets older, though, I began to relate to her less and less, and actually found her rather annoying. While her mother is liberal, and a free spirit, Evelyn is high strung and conservative. When Evelyn begins to stray from her mother and tarry more toward religion and science, the content became much less fresh and alive. On the one hand, though, Evelyn's character is certainly unique. She is morally fastidious, is very responsible, and is socially uptight. While others may find such characteristics appealing, I personally was turned off. Just reading it stressed me out! This was an entertaining read, but not my type. It was also not particularly memorable.
The Odd Sea by Frederick Reiken

The novel is very strong in its presentation of a harrowing topic. It is never cloying or overly sentimental, but instead handles the issue with genuineness and poise. All of the members of the family are affected in their own unique way, and the portrayal of the various forms of grief are poignant and resonant.
The rustic setting was also a strength within this novel. Each of the characters relates to the setting in a different way, relying on it in their time of grief. The setting seems to teem with life in and of itself, and serves as a perfect backdrop for such an authentic cast of characters.
A good read, rather masculine in nature.
Never Let Me Go by Kazuo Ishiguru

The novel is very well written and is very unique in plot. It has an air of Britishyness to it, which is simultaneously endearing and a trifle distracting. I would recommend this one because of its thematic implications, and because of the riveting plot. I am excited to hear what comes up in the book club discussion.
Under the Dome by Stephen King
This book is so good. It's a doozy of a read, typical of King, but is so engrossing and captivating, it doesn't take long to finish at all. In fact, you may not leave your bedroom once you get into it. I have read a bunch of Stephen King's books, but I think I like this one the best.

The Sun Also Rises by Ernest Hemingway
A breathtaking look into the lost generation, this novel employs Hemingway's usual spare descriptive powers to convey images of startling clarity. This is arguably one of the best novels ever composed, so I don't know how much I really need to say about it. It provides a realistic glimpse into the mindset of a group of disenchanted cafe-dwellers, who are all in some way products of war. This novel deals with sexual and alcohol addiction, sexual inabilities, androgyny, and the beauty of simplicity. It is filled with rampant partying, incessant drinking, and sexual conquests, all suggestive of emptiness and hopelessness within the characters. It also features wonderful accounts of bull-fighting and fishing. This is a fantastic, devastating novel that hatches inside you and continues to bloom long after reading the last page.
Columbine by Dave Cullen
Everybody remembers Columbine. They remember the carnage, the crowds of bleeding, mourning teenagers, the bodies splayed out on the sidewalk. Before reading this book, I felt I was well-educated about the goings-on of April 20, 1999. I felt I understood what happened, and even thought I knew why. Like many people, I thought Eric Harris and Dylan Klebold were two geeky high school kids who were part of the "trench coat mafia," and who had been subjected to endless bullying within the halls of Columbine High. I thought that the years of torment had led them to snap and take out their rage against bullies and jocks in a fit of frenzied revenge. I was very incorrect.

Dave Cullen has an awesome website, so check it out:
http://www.davecullen.com/index.htm
Also, my Intro to Creative Nonfiction class is conducting a Skype interview with Dave Cullen this coming Monday, so more posts are sure to follow.
UPDATE:
Dave Cullen is such a cool guy! We skyped with him in class today, and got to ask him questions and stuff. He is funny, candid, informative, and inspiring. . He told us a lot about the writing process, the research process, and the aftermath of publishing the book. I was intrigued to find out that the book had started in a very different direction, omitting many of the survivors' stories, and featuring Cullen more prominently. It had also been at least twice the length originally, which is pretty astounding. Anyways, the quality of the conversation was exquisite, and I was bubbling with excitement about it all day. My only qualm was that the conversation could not have lasted longer, especially since I was not able to ask my question. But Dave Cullen is the man, and his book is sick nasty.
King Lear by Billy Shakespeare
I mean, it's pretty much implied that anything written by the Shaker of Spears is going to be astounding in its genius. Therefore, I will not belabor that which is already known. This play is a little confusing, I thought, perhaps because of the complicated family drama that goes on. It's a bit tricky to keep track of who is who, who is mad at whom, and who is dressed up as whom. But other than that, I actually enjoyed reading this play. There's a lot of betrayal, insanity, corruption, and antics conducted in disguise. It also points to a disparity between chaos and order, especially in relation to monarchical rule. Kudos, William, on another great success.
All Souls by Michael Patrick MacDonald

Hamlet by William Shakespeare
Bill strikes back! This is one of the best plays ever written. My own reading of it was rather inconsistent and frequently interrupted, which unfortunately took away from its overall impact. Its brilliance was still evident, however, and I am glad to have read it. Hamlet provides a haunting look into the human condition, exposing how corruption can poison an entire kingdom. Father and son relationships are explored, as are the themes of madness, revenge, and the physicality of death. A brilliant work by a brilliant dude.
I am currently working on a paper about Hamlet's mother, Gertrude, and her role in Hamlet Senior's murder. It's pretty fascinating stuff. Perhaps I will post it.
The Catcher in the Rye by J.D. Salinger

This is my favorite book ever written in the whole wide world. It's really hard for me to write a simplified synopsis. I read this novel every year, and have done so since high school. Each time that I read it, I find something new and utterly brilliant to take away from it; I find a new insight into my own life with each perusal. Holden Caulfield is a hilarious, disenchanted, depressed, lonely, angry, rebellious, tortured young man, hovering on the cusp of adulthood. He tells his story in a refreshing, authentic voice; it is as if he is talking right to you. And his story is truly wonderful.
An isolated figure of sincerity and purity, Holden wanders the streets of New York, growing more depressed by the minute by nearly every person he encounters. His tale is a poignant snapshot of adolescence, of the rocky transition from childhood to adulthood, when imagination and innocence are traded in for responsibilities and obligations, and when perspective shifts from the make believe to the real world. And the real world he sees around him is far from the ideal; filled with taxi cabs and buses, New York is far removed from any rustic setting, and is teeming with "phonies," despicable people ruled by arrogance and corruption.
As a teenager, it was easy for me to relate to the hatred and loneliness latent in Holden's story. As an adult, I now see the real beauty in this novel. Holden shows us that no one is ever really alone, no matter how much they might isolate themselves from the rest of the world. And as despicable as the human condition may seem, there are plenty of other disillusioned individuals who have documented their own experiences, their own observations of humanity, and who have gone through just as much pain on the path to growing older. I now know the accompaniment that a good book can truly serve. With Holden's help, I understand that it's okay to grow up--difficult, and heartbreaking at times--but okay. And so I skirt the rim of some enormous cliff, looking into the expanse that is the rest of my life. I may fall, I may soar; I can't be sure. But I know that, no matter my fate, there will always be the catcher in the rye.
The Bell Jar by Sylvia Plath

The main character of this novel, Esther Greenwood, is believable and relatable--she is tall and unremarkable looking, with a voracious appetite and a wealth of intelligence. She excells within the classroom and scores scholarship after scholarship. Eventually, though, the real world beckons, and Esther sees the futility of her pursuits, particularly when there are no more scholarships or prizes to be won. It is then that the bell jar descends, and the narrative takes on the warped, helplessly chaotic undertones of insanity. From electroshock therapy disasters to suicide attempts, this novel aptly portrays an otherwise distant concept--losing grip with reality. A necessary read for all young people, women in particular, The Bell Jar is a profound foray into the depths of the mind, leaving the reader twisted and tangled themselves.

In all honesty, I found this book to be surprisingly unremarkable. Centering on the gruesome murders of a close-knit, morally upright family from smalltown USA, this book peruses not only the details of the crime, but also the mindsets and stories of the killers. Unfortunately, I found the crime itself to be rather stale and uninteresting, especially in comparison to the Columbine massacre that I have been obsessing about for, like, ever. The family is completely impeccable--they are church-going, law-abiding citizens, and the children are almost too good to be true. The only interesting character is the mother, who is sometimes bed-ridden with crippling anxieties and psychological difficulties. As a lover of flawed characters, I found this book to be disappointing. Even the killers are relatively boring. I did not feel connected to them, did not empathize with them, did not even particularly want to understand them.
That is not to say that this is not a great book, because it is. It is an integral contribution to the creative nonficton genre, and is extremely well-written and researched. Unfortunately, it was just not my cup of tea. Check it out for yourselves; you might glean far more from it than did I.

Tartuffe by Moliere
I liked this kooky little play. An old classic comedy, this French neoclassical play delves into some hot topics, such as religious hypocrisy and the ongoing argument of empirical observation vs. theory. It is genuinely charming and witty, and features a host of lovable, endearing characters. The ending was a little contrived for me, but considering the extent to which this work was edited and censored, I am willing to throw ol' Moliere a bone. He had to make a living, after all.
Candide by Voltaire

Stiff by Mary Roach

Their Eyes Were Watching God by Zora Neale Hurston

Going after Cacciato by Tim O'Brien

Love Medicine by Louise Erdrich

Catch 22 by Joseph Heller
What a masterpiece. A landmark in the 20th century American tradition, this novel stands out to me as the idyllic representation of the disillusionment and confusion of a war-torn modern world, in which up is down, left is right, and where there seems to be no way out. Paradoxes and oxymorons abound in this work, creating a truly hilarious and yet oddly believable plot line and tone. The narrative style is unique--it is conveyed in non-chronological order, and is seen through various eyes, as the perspective switches between characters from chapter to chapter. The character on which the plot is focused, though, is Yossarian, a bombardier who wishes only to get out of the war, but is stopped from doing so by that indefatigable clause: Catch 22. You'll have to read the book yourself to get the real vibe of this book, and I really encourage you to do so! This bad boy has changed my life. By portraying a useless war without meaning or cause, and through the creation of a motley crew of inadequate, incapable blithering idiots, Heller truly hit the modernist feelings right on the head. Here, everything is nothing, and nothing is everything, and everybody is trying to kill everybody else, but nobody knows why. What a brilliant novel. Seriously, read it. You'll laugh really hard, but you'll learn a hell of a lot, too.
Harry Potter and the Deathly Hallows by J.K. Rowling
The positive aspects of the series as a whole hold true in this novel--Rowling's ability to convey very serious and relevant themes within an understandable and unpreachy context, for example, remains intact. Concepts such as discrimination, prejudice, and treatment of others based on hierarchical ranking are roundly criticized, while concepts such as bravery, loyalty, trust, friendship, the support and unlikely success of the underdog, and, of course, love, are glorified. This novel is a bit of a departure from the rest of the series, though, as the bulk of it takes place outside of Hogwarts' walls, apart from the rest of the wizarding community. While I did miss the usual joys of the Hogwarts setting--the suits of armor, the secret passageways, the ghosts, Peeves, the classes, the detentions, the trips to Hagrid's hut...(I could go on and on...)--the departure from Hogwarts was very necessary to the development of both character and plot, and turned out to be rather enjoyable to read.
Hallows has a distinctly nostalgic feel to it, which I really enjoyed. Unlike the earlier novels, which attempted to provide synopses of their predecessors in order to remind readers of the plot line, Rowling here trusts that her readers are devout enough to be familiar with the plot. She takes this a step further by inserting wistful moments of hindsight and nostalgia, which are relevant for character, writer, and reader alike. Through these subtle moments of reminiscence, all three parties are reminded of earlier, much-loved moments in the series, helping to unite the series, and also to provide closure. Rowling does walk a fine line, though, and sometimes skirts over that line into the sticky territory of sentimentality. The ending chapter, I feel, comes across as a bit corny, but that is understandable, really.
All in all, Rowling here continues to astound, bringing an end to a truly spell-binding series. That is not to say that Harry Potter has had his last word, though, because with each rereading of the series, the reader stumbles upon some previously unnoticed morsel of magic hidden within the pages. It is a series with which the world will never tire, and which will be revisited time and time again for countless generations to come.

I enjoyed this book, especially since it is entirely different from anything else I have recently read. It was recommended to me and loaned to me by my dear friend Caitlin Carroll (and I really need to return it...). The Book of Lost Things is a modern twist on classic fairy tales, but is not exactly intended for children. In fact, I don't think it would be advisable for children at all. It is rather violent at times, and can be gruesome, gory, and pretty much terrifying (like all good fairy tales, really). Still, the book uses timeless story lines in an all-new way, and makes them more applicable to our modern times, and is a very entertaining read. If you are into fairy tales and enjoy getting that heebiejeebie feeling, this book is a good one for you.
Fletch by Gregory McDonald

Sarah's Key by Tatiana de Rosnay
Very entertaining book with a heart-wrenching, important story to tell. Julia Armond, the narrator, is an American-born journalist who has lived in France for 25-odd years, and who is married to an unfaithful, arrogant, fartfaced French guy named Bertrand. During her research for a story on the 1942 roundups of Jewish people in Paris (instigated and facilitated by French police), Julia becomes enamored by the tragic event, and her whole life changes as a result. Running parallel to Julia's narrative is the story of Sarah, a young Jewish girl who is part of the 1942 round up. As both stories unfold, secrets are revealed and understanding is gained. This is a great summer read, and portrays some very valuable messages. On the whole, though, I considered this book to be plot-based and a bit airy. But that is the English major snob coming out in me. Odds are, any reader will enjoy this book, though it is geared mostly toward women. Also, there is a Sarah's Key movie coming out soon, so that's something to keep in mind.
The Help by Kathryn Stockett
This was a great summer need. I read it a few months ago, so I'm afraid my synopsis will be rather short and vague, but I can tell you some basics. Because, all in all, this was actually a rather memorable book. The Help has three narrators, all living in Jackson, Mississippi in the 1960s: there's Skeeter, a white, young aspiring journalist with a level head and open mind, Abileen, a kind black maid who has cared for the households and children of many white families, and Minny, a sassy black maid with an uncontrollable smart mouth. Skeeter, prompted by the treatment of black maids in her neighborhood, decides to write a book about their personal plights, exposing the mistreatment of the black help, and the selfishness and cruelty of their white employers. In the process of writing and publishing the book, Skeeter encounters first hand the volatile temperament of the American south in the 1960s, and becomes a social pariah among her conservative, high society friends. A page-turner, The Help keeps you riveted through to the end, and really makes you think about social norms and the bravery implicit in challenging them. Check this novel out. It's a good'n.
The White Tiger by Aravind Adiga
Midnight's Children by Salman Rushdie

My displeasure with this novel goes beyond its length and looseness of plot, however. Something that really, and I mean really, turned me off from this novel, was King's perception and portrayal of women. The female characters here represent sex, sex, and more sex. King cannot have two people of the opposite sex alone in a room together without the woman suggesting something sexual, or without the man groping her breasts. Women are coquettish and sly, and are seen as weak and sexually-driven. Even the strong female characters are highly sexualized, and are seen as markedly less reasonable or logical than the male characters. The old woman is the only one who is not sexualized, but that is because she is over 100 years old and is very very saggy.
Anyways, that's how I felt about this novel, though I hope others have had better experiences with it. I would like to read the abridged version, though, because I feel that the strong points will be of greater emphasis--such as the allegorical aspects and the glimpses into human nature--and the drab, boring character development and sexualized poppycock will fall by the wayside.
Ulysses by James Joyce
The Winshaw Legacy or What a Carve Up! by Jonathan Coe
Death of a Salesman by Arthur Miller
The Journey of the Fifth Horse by Ronald Ribman
Small Island by Andrea Levy